Creative Writing, B.A.
The B.A. in Creative Writing
Carnegie Mellon is one of only a few English departments in the country where undergraduates can major in Creative Writing (CW). In the CW major, students develop their talents in writing fiction, poetry, screenwriting, and creative nonfiction. While studying with faculty members who are writers, CW majors read widely in literature, explore the resources of their imaginations, sharpen their critical and verbal skills, and develop a professional attitude toward their writing. The extracurricular writing activities and a variety of writing internships available on and off campus provide Creative Writing majors with valuable experiences for planning their future. After graduation, our Creative Writing majors go on to graduate writing programs and to careers in teaching, publishing, public relations, advertising, TV and film, freelance writing, and editing, among others.
Program Learning Outcomes
Creative theory & contextual analysis
Students will be able to:
- explain the terminology and theoretical techniques specific to a given creative writing genre
- explain how cultural, historical, and social context affect both the writing and reading of creative texts
creative production & personal style
Students will be able to:
- produce short creative texts (including poems, creative nonfiction essays, short stories, and novel chapters) by applying genre-specific creative theory
- utilize feedback from multiple sources to write secondary drafts of such creative texts
- produce long form creative work (poetry chapbooks or collections, novellas or novels, collections of shorts stories or creative nonfiction essays) by applying genre-specific creative theory
- utilize feedback from multiple sources to write secondary drafts of such creative texts
- explain creative choices through the use of genre-specific terminology and techniques
professional practice
Students will be able to:
- utilize knowledge of publishing practices to submit creative texts for publication consideration
- apply career-based skills to class work, including tasks related to publishing and other professional creative writing contexts
Curriculum
The Creative Writing curriculum consists of 11 courses for a minimum of 99 units.
Creative Writing Core (7 courses)63 units
Introductory Genre Writing Courses (2 courses)18 units
| Introductory Genre Writing Courses | Units | |
| 76-212 | Introduction to TV Writing | 9 |
| 76-260 | Introduction to Writing Fiction | 9 |
| 76-261 | Intro to Writing Creative Nonfiction | 9 |
| 76-265 | Introduction to Writing Poetry | 9 |
| 76-269 | Introduction to Screenwriting | 9 |
Reading in Forms Course (1 course)9 units
| Reading in Forms Courses | ||
| 76-362 | Reading in Forms: Nonfiction | 9 |
| 76-363 | Reading in Forms: Poetry | 9 |
| 76-364 | Reading in Forms: Fiction | 9 |
Creative Writing Workshops (4 courses)36 units
Students must complete four Creative Writing workshops, with at least two in a single genre. (NOTE: Fiction and Creative Nonfiction count as the same genre. TV Writing and Screenwriting count as the same genre.) Workshops in all genres may be taken more than once for credit.
Additionally, if a student has been accepted into the Dietrich College Senior Honors Program and is completing their thesis in the field of Creative Writing, they may use one semester of thesis credit (66-501 H&SS Senior Honors Thesis I or 66-502 H&SS Senior Honors Thesis II) to fulfill one of the four required workshops.
| Creative Writing Workshops | ||
| 76-320 | The Writer's Room: TV Writing Prerequisite: earn an A or B in 76-212 Introduction to TV Writing OR 76-269 Introduction to Screenwriting | 9 |
| 76-365 | Poetry Workshop Prerequisite: earn an A or B in 76-265 Introduction to Writing Poetry | 9 |
| 76-368 | Role Playing Game Writing Workshop Prerequisite: earn an A or B in 76-260 Introduction to Writing Fiction or 76269 Introduction to Screenwriting | 12 |
| 76-460 | Beginning Fiction Workshop Prerequisite: earn an A or B in 76-260 Introduction to Writing Fiction | 9 |
| 76-462 | Advanced Fiction Workshop Prerequisite: earn an A or B in 76-460 Beginning Fiction Workshop | 9 |
| 76-465 | Advanced Poetry Workshop Prerequisite: earn an A or B in 76-365 Beginning Poetry Workshop | 9 |
| 76-464 | Creative Nonfiction Workshop Prerequisite: earn an A or B in 76-260 Introduction to Writing Fiction OR 76-261 Introduction to Writing Creative Nonfiction OR 76-265 Introduction to Writing Poetry | 9 |
| 76-469 | Screenwriting Workshop Prerequisite: earn an A or B in 76-269 Introduction to Screenwriting | 9 |
English Electives (4 courses)36 units minimum
Complete a minimum of four additional elective courses and 36 units from the English Department’s course offerings, while adhering to the specifics below:
- No more than two of the four elective courses may be at the 200 level.
- The other electives must be at the 300 and/or 400 level.
- A minimum of two of the four English Electives must be courses that are designated as Literature Electives and focus on the close reading of literary text.
Literature Electives (2 courses)18 units minimum
| Literature Electives | ||
| 76-207 | Special Topics in Literature & Culture | 9 |
| 76-210 | Banned Books | 9 |
| 76-217 | Literature & Culture of the 20th and 21st Century | 9 |
| 76-219 | Law & Blame | 9 |
| 76-220 | Mystery! From Detective Fiction to True Crime | 9 |
| 76-221 | Books You Should Have Read By Now | 9 |
| 76-230 | Literature & Culture in the 19th Century | 9 |
| 76-236 | CMU Prison Education Project: | 12 |
| 76-239 | Introduction to Film Studies | 9 |
| 76-241 | Introduction to Gender Studies | 9 |
| 76-242 | American Woman Writers | 9 |
| 76-244 | Immigrant Fictions | 9 |
| 76-245 | Shakespeare: Tragedies & Histories | 9 |
| 76-247 | Shakespeare: Comedies and Romances | 9 |
| 76-259 | Film History | 9 |
| 76-268 | Comic Books & Pop Culture | 9 |
| 76-278 | Japanese Film and Literature: The Art of Storytelling | 9 |
| 76-295 | Russian Cinema: From the Bolshevik Revolution to Putin's Russia | 9 |
| 76-296 | 20th Century Russian Masterpieces | 9 |
| 76-299 | 19th Century Russian Masterpieces | 9 |
| 76-312 | Crime and Justice in American Film | 9 |
| 76-314 | Data Stories | 9 |
| 76-317 | Contemporary American Fiction | 9 |
| 76-326 | Contemporary Global Fiction | 9 |
| 76-329 | Performing Race in Early Modern Drama | 9 |
| 76-337 | Intersectional Feminism | 9 |
| 76-339 | Topics in Film and Media | 9 |
| 76-341 | The Age of Jane Austen | 9 |
| 76-342 | Love: A Cultural History | 9 |
| 76-343 | Rise of the American Novel | 9 |
| 76-347 | Major Fiction | 9 |
| 76-348 | Adaptation: Fiction to Film | 9 |
| 76-350 | Critical Theories about Literature | 9 |
| 76-353 | Transnational Feminisms: Fiction and Film | 9 |
| 76-362 | Reading in Forms: Nonfiction | 9 |
| 76-363 | Reading in Forms: Poetry | 9 |
| 76-364 | Reading in Forms: Fiction | 9 |
| 76-367 | Fact Into Film: Translating History into Cinema | 9 |
| 76-370 | Independent Study in Literary and Cultural Studies (instructor permission required) | Var. |
| 76-376 | Crafting Race in 19th-Century Britain | 9 |
| 76-382 | Media: Past, Present, and Future | 9 |
| 76-392 | Special Topics in Literature & Culture | 9 |
| 76-401 | Hollywood vs. the World | 9 |
| 76-407 | Topics in Literary & Cultural Studies | 9 |
| 76-409 | History of German Film | 9 |
| 76-410 | The Long Eighteenth Century | 9 |
| 76-414 | Decolonial Imaginaries | 9 |
| 76-423 | Transnational Feminisms | 9 |
| 76-424 | Theories of Social Class | 9 |
| 76-429 | Introduction to Computational Humanities | 9 |
| 76-431 | Gender Play in Early Modern Drama | 9 |
| 76-434 | Literature & Social Change in the 19th Century | 9 |
| 76-439 | Seminar in Film and Media Studies | 9 |
| 76-442 | Black Lives in Pre-1900 Britain | 9 |
| 76-445 | Milton | 9 |
| 76-446 | Revenge Tragedy | 9 |
| 76-450 | Law, Culture, and the Humanities | 9 |
| 76-452 | Generations and Culture | 9 |
| 76-453 | Literature of Empire | 9 |
| 76-454 | Rise of the Blockbuster | 9 |
| 76-455 | The Pittsburgh Review of Books (PRoB) | 9 |
| 76-461 | Refugee Stories: Literature, Art and Film | 9 |
| 76-467 | Crime Fiction and Film | 9 |
| 76-468 | Space and Mobilities | 9 |
| 76-482 | Rise of the Art Film | 9 |
| 76-495 | Other People's Words: The History, Theory, and Practice of Interviews | 9 |
300 or 400-Level English Electives (2 courses)18 units minimum
- The remaining two English Electives must be at the 300- or 400- level. In choosing English Electives, students are encouraged to sample courses from across the Department.
Double Counting
Students may double count up to two courses with other programs outside of the Department of English. NOTE: courses being used for the Dietrich College General Education requirements do not have a double-counting limit.
Transfer Courses
Students may transfer up to two courses from other non-CMU programs/institutions toward the primary or additional major in Creative Writing or the BHA in Creative Writing, with the exception of one of the two required Introductory Genre Writing courses. If the two-course maximum is met, other related transfer courses will be considered for general education requirements and/or free electives for graduation. Please see the Dietrich College Advanced Standing and Transfer Credit Policy for more information.
Recommended Curriculum Pathway: B.A. in Creative Writing
Below is the recommended plan, or pathway, for completing the B.A. in Creative Writing in four years. This pathway includes the Creative Writing course requirements as well as requirements for the Dietrich College General Education curriculum. While it is not required for students to follow this pathway precisely, it is highly recommended for students to do so, and we recommend students begin the major’s courses as early as possible. (Students in Dietrich College may declare their primary major as early as the beginning of their second semester.) Students who have not yet declared their major in the Department of English may still take courses with us.
Students may also view the pathway for the B.A. in Creative Writing via the Stellic Degree Audit Application.
| First-Year | Second-Year | ||
|---|---|---|---|
| Fall | Spring | Fall | Spring |
| GEN ED: Foundations: Communication | GEN ED: Foundations: Data Analysis Course | GEN ED: Foundations: Computational Thinking | GEN ED: Disciplinary Perspectives: Logic/Math Course |
| GEN ED: Disciplinary Perspectives: Humanities | GEN ED: Disciplinary Perspectives: Social Sciences Course | GEN ED: Foundations: Intercultural & Global Inquiry | GEN ED: Foundations: Contextual Thinking |
| GEN ED: Grand Challenge Seminar | CW: Introductory Genre Writing Course #2 | GEN ED: Perspectives on Justice & Injustice | CW: Workshop #2 |
| CW: Introductory Genre Writing Course #1 | Free Elective | CW: Workshop #1 | CW: English Elective #2 |
| CW: English Elective #1 | Free Elective | CW: Reading in Forms | Free Elective |
| Third-Year | Fourth-Year | ||
|---|---|---|---|
| Fall | Spring | Fall | Spring |
| GEN ED: Disciplinary Perspectives: The Arts Course | Open for course exploration, requirements for other majors/minors, study abroad, etc. | CW: Workshop #4 | Free Elective |
| GEN ED: Foundations: Scientific Inquiry | Open for course exploration, requirements for other majors/minors, study abroad, etc. | CW: English Elective #4 | Free Elective |
| GEN ED: Disciplinary Perspectives: Additional Disciplines | Open for course exploration, requirements for other majors/minors, study abroad, etc. | Free Elective | Free Elective |
| CW: Workshop #3 | Open for course exploration, requirements for other majors/minors, study abroad, etc. | Free Elective | Free Elective |
| CW: English Elective #3 | Open for course exploration, requirements for other majors/minors, study abroad, etc. | Free Elective | Free Elective |
